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Movie Title: The Mambo Kings
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I really enjoyed this film, based upon the Pulitzer Prize winning current, “The Mambo Kings Play Songs of Adore” by Oscar Hijuelos. With its sexy, pulsating, and rhythmic soundtrack, as well as the strong performances by the entire cast, this film is highly interesting.

The events in this sharply stylized period film lift station in the nineteen fifties, at the height of the mambo dance craze. Two young Cuban musicians, brothers Cesar (Armand Assante) and Nestor Castillo (Antonio Banderas), cruise Cuba after a appreciate triangle takes a potentially deadly twist. The savor sick Nestor leaves unhurried the appreciate of his life, the glorious Maria Rivera (Talisa Soto), now married to his romantic rival.

The brothers come in Unusual York, where Cesar meets the lushly sensuous, blonde bombshell, Lana Lake (Cathy Moriarty) . They eventually marry, while Nestor, smooth carrying a torch for Maria, meets the sedate and quietly lovely Delores Fuentes (Maruschka Detmers), whom he eventually marries. Given a helping hand by fellow Cuban, Desi Arnaz, Sr. (Desi Arnaz, Jr.), Cesar and Nestor shortly become stars of the dance halls and clubs they play, where they are christened the “Mambo Kings”.

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Unfortunately, Cesar’s dreams are not necessarily Nestor’s dreams and conflicts arise. The brothers also accelerate into effort when Cesar’s arrogance pits him against a musical syndicate that rules the clubs and dance halls with an iron hand, derailing their careers for a time. Moreover, Nestor’s marriage is seriously shocked, because of his obsession with his lost savor. Detached, no matter what, there is always the music.

Armand Assante gives an over-the-top, manic performance as Cesar, the older brother whose arrogance and single-minded ambition nearly alienates his brother. He over-acts the fragment, making his character almost cartoonish, at times. It is as if he were drowning in his beget machismo. Composed, he infuses the role with a sure energy that makes him strangely compelling. Moreover, the guy can really dance!

It is the bittersweet performance by Antonio Banderas, however, that takes one’s breath away. Antonio Banderas infuses the role of the artistic, younger brother, Nestor, with a poignancy, sensitivity, and sensuousness that is noteworthy. He handles the role with a delicacy that nearly brought tears to my eyes. Banderas makes the viewer feel Nestor’s injure, so palpable is his exertion over his lost adore, Maria. When he sings his ode to her, “”Fine Maria of My Soul”, the viewer is transfixed, so beautifully does he squawk it.

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Look for a cameo by the slack Tito Puente. The gradual Celia Cruz also appears in this film, cast as Evalina Montoya, a accepted club singer. The viewer is in for a treat with these two salsa greats doing what they do best. It was also somewhat eerie to examine the role of Desi Arnaz, Sr. played by his staunch life son, Desi Arnaz, Jr., as the resemblance is so mighty, just down to the accent. Special tag should also be taken of Roscoe Lee Brown’s silky performance as club impresario Fernando Perez.

The film captures the flavor of the nineteen fifties, when night clubs were synonymous with night life, and stout bands unruffled held sway. I particularly enjoyed this film, because my parents emigrated from Cuba. Having grown up in Current York City during the nineteen fifties, this film holds a positive amount of nostalgia for me.

Definitely on my top 10. The Mambo Kings has several things that accomplish it an all time common. First, it uses the medium to pull you in an give you the feeling you are fraction of the moment. The sets, costumes, cars, and music are detailed to perfection. Especially the music! Cameo’s by the astronomical singers of Cuban music originate it true. Celia Cruz and the leisurely Tito Puente are awesome! The theme song is comely and nothing less than haunting. Check out extraordinary soundtrack.

Second, the place takes some recent twists and turns. The relationship between two brother seems formulaic at the beginning and then both characters accumulate unexpected depth and traits. I enjoy that both Antonio Banderas (this was his first Hollywood film) and Armand Assante give their best performances to date.
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